In spite of Mitford's well-known dislike for the United States, she must have been delighted that her novel reached the American market. She was then living in Paris, and strict British post-World War II currency restrictions made it difficult to access profits from sales in the United Kingdom. The American royalties, however, could easily bypass her home country.
The dust jacket illustration for the English edition was by Mitford's friend Mark Ogilvie-Grant. Its illustration is more conceptual than its American counterpart, featuring a line drawing of Cupid and his arrow.
The more elegant English edition. There is something cloying about the American artwork. The color scheme does not pop. Moreover, the woman in the in the long blue dress and straw hat seems to have stepped off the pages of Little House on the Prairie. We fear that if Random House accurately assessed the taste of the American audience, then perhaps Mitford had some justification in her antipathy for Americans.
An early printing of the English edition is available here.